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#CULT CLASSIC GAY MOVIES MOVIE#
It also boasted several great photospreads per issue usually lifted from some of the strangest movies on release that month and some very good writing by the likes of Raymond Durgnat-though there were some reviewers who always seemed to focus on every movie having a homosexual subtext whether it was valid or not.
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I bought the magazine because it featured the movies, writers, and directors I liked: Ken Russell, Lindsay Anderson, Stanley Kubrick, Fellini, Derek Jarman, and Martin Scorsese. I knew fuck all about any of this fascinating backstory when I picked secondhand copies of F&F up in the seventies and eighties from Bobbies Bookshop. It was the magazine’s second editor, Peter Baker, that moved F&F away from a coded gay film zine to a thoughtful, glossy, and well-written magazine that became the must-read of every serious cinephile. He successfully edited the magazine to woo the gay market by including pictures of beefcake actors and personal ads for lonely bachelors to hook-up. It was, in many respects, one of the best and most subversive film magazines around as Dosse had an agenda of promoting difficult and controversial subject matter, in particular, homosexuality which was then a criminal offense in Britain punishable by imprisonment or chemical castration.įilms and Filming or rather F&F’s first editor was Peter Brinson, a smart young man who made no attempt to disguise his sexuality. It was a special interest magazine for film-lovers who thought “Picturegoer unsatisfying and Sight and Sound unintelligible.” Set up by publisher Philip Dosse Films and Filming was a stablemate to his other mags like Books and Bookmen, Dance and Dancers, Plays and Players, Art and Artists, and so on. Films and Filming was a middle-brow, high-quality monthly movie magazine published in the UK between October 1953 to March 1990.